- Format
- CD
- EAN13
- 0196587061128
- Support
- CD 12 CM LP
- Durée
- 2150:57
- Nombre de pistes
- 647
- Poids
- 1630 g
- Largeur
- 160 mm
- épaisseur
- 133 mm
- Hauteur
- 135 mm
- Nombre d’unité
- 8
- Date de publication
- 2023-05-19
Robert Craft - The Complete Columbia Album Collection
ROBERT CRAFT
Sony Music Classique Et Jazz
Trouvez les offres des librairies les plus proches :
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Offres
"UN TRAVAILLEUR INFATIGABLE POUR LA MUSIQUE DE NOTRE TEMPS"
L'intégrale des enregistrements de Robert Craft chez Columbia dans un coffret 44 CD.
Les enregistrements de Schoenberg, Webern et Stravinsky de la dernière période réalisés par Robert Craft ont contribué à rendre ces jalons de la musique du XXe siècle largement accessibles dans les années 1950 et 1960. Gramophone a qualifié Craft de "travailleur infatigable pour la musique de notre temps".
Sony Classical a maintenant rassemblé l'ensemble de la discographie du chef d'orchestre sur la chaîne américaine Columbia et la publie dans un coffret remastérisé de 44 disques. Nombre de ces enregistrements pionniers n'ont jamais été publiés en CD auparavant.
# | Nom | Durée | Version |
---|---|---|---|
1 | I. OUVERTURE. ALLEGRETTO | 08:03 | |
2 | II. TANZSCHRITTE. MODERATO | 07:30 | |
3 | III. THEMA MIT VARIATIONEN | 05:25 | |
4 | IV. GIGUE | 06:56 | |
5 | HERZGEWACHSE, OP. 20 | 03:12 | |
6 | CANON FOR THOMAS MANN ON HIS 70TH BIRTHDAY | 00:50 | |
7 | 3 SATIREN, OP. 28, NO. 3: DER NEUE KLASSIZISMUS "NICHT MEHR ROMANTISCH BLEIB ICH" | 09:09 | |
8 | I. MASSIG | 01:59 | |
9 | II. MASSIG, LANGSAM | 03:12 | |
10 | NO. 1, SOMMERMUD | 01:44 | |
11 | NO. 2, TOT | 01:17 | |
12 | NO. 3, MADCHENLIED | 01:45 | |
1 | PASSACAGLIA FOR LARGE ORCHESTRA, OP. 1 | 09:59 | |
2 | ENTFLIEHT AUF LEICHTEN KAHNEN, OP. 2 | 02:32 | |
3 | I. DIES IST EIN LIED FUR DICH ALLEIN | 00:54 | |
4 | II. IM WINDESWEBEN | 00:24 | |
5 | III. AN BACHES RANFT | 00:44 | |
6 | IV. IM MORGENTAUN | 00:48 | |
7 | V. KAHL RECKT DER BAUM | 01:11 | |
8 | I. EINGANG | 03:34 | |
9 | II. NOCH ZWINGT MICH TREUE | 01:04 | |
10 | III. JA HEIL UND DANK DIR | 01:41 | |
11 | IV. SO ICH TRAURIG BIN | 00:34 | |
12 | V. IHR TRATET ZU DEM HERDE | 00:57 | |
13 | 1. HEFTIG BEWEGT - RUHIG | 02:24 | |
14 | 2. SEHR LANGSAM | 01:51 | |
15 | 3. SEHR BEWEGT | 00:40 | |
16 | 4. SEHR LANGSAM | 01:22 | |
17 | 5. IN ZARTER BEWEGUNG | 03:14 | |
18 | I. ETWAS BEWEGTE ACHTEL | 00:54 | |
19 | II. BEWEGT | 01:14 | |
20 | III. ZART BEWEGT | 00:56 | |
21 | IV. LANGSAM | 03:20 | |
22 | V. SEHR LANGSAM | 01:51 | |
23 | VI. ZART BEWEGT | 01:21 | |
24 | I. SEHR LANGSAM | 01:06 | |
25 | II. RASCH | 01:07 | |
26 | III. SEHR LANGSAM | 01:21 | |
27 | IV. BEWEGT | 00:45 | |
28 | I. DU, DER ICH'S NICHT SAGE | 00:49 | |
29 | II. DU MACHST MICH ALLEIN | 01:01 | |
1 | 1. MASIG | 00:35 | |
2 | 2. LEICHT BEWEGT | 00:25 | |
3 | 3. ZIEMLICH FLIESEND | 00:21 | |
4 | 4. SEHR LANGSAM | 00:28 | |
5 | 5. AUSERST LANGSAM | 01:17 | |
6 | 6. FLIESEND | 00:32 | |
7 | 1. SEHR RUHIG UND ZART | 00:33 | |
8 | 2. LEBHAFT UND ZART BEWEGT | 00:35 | |
9 | 3. SEHR LANGSAM UND AUSERST ZART | 01:50 | |
10 | 4. FLIESEND, AUSERST ZART | 00:25 | |
11 | 5. SEHR FLIESEND | 00:48 | |
12 | 1. MASIGE ACHTEL | 00:58 | |
13 | 2. SEHR BEWEGT | 00:17 | |
14 | 3. AUSERST RUHIG | 00:53 | |
15 | 1. DER TAG IST VERGANGEN | 00:58 | |
16 | 2. DIE GEHEIMNISVOLLE FLOTE | 01:22 | |
17 | 3. SCHIEN MIR'S, ALS ICH SAH DIE SONNE | 01:16 | |
18 | 4. GLEICH UND GLEICH | 00:42 | |
19 | 1. WIESE IM PARK | 01:54 | |
20 | 2. DIE EINSAME | 01:06 | |
21 | 3. IN DER FREMDE | 00:59 | |
22 | 4. EIN WINTERABEND | 01:37 | |
23 | 1. DIE SONNE | 01:38 | |
24 | 2. ABENDLAND I | 01:18 | |
25 | 3. ABENDLAND II | 01:12 | |
26 | 4. ABENDLAND III | 01:25 | |
27 | 5. NACHTS | 00:43 | |
28 | 6. GESANG EINER GEFANGENEN AMSEL | 01:12 | |
29 | 1. DAS KREUZ, DAS MUSST' ER TRAGEN | 00:49 | |
30 | 2. MORGENLIED | 00:48 | |
31 | 3. IN GOTTES NAMEN AUFSTEHN | 00:52 | |
32 | 4. MEIN WEG GEHT JETZT VORUBER | 00:46 | |
33 | 5. FAHR HIN, O SEEL, ZU DEINEM GOTT | 01:31 | |
34 | 1. CHRISTUS FACTUS EST | 00:23 | |
35 | 2. DORMI JESU | 00:50 | |
36 | 3. CRUX FIDELIS | 00:38 | |
37 | 4. ASPERGES ME | 00:29 | |
38 | 5. CRUCEM TUAM ADORAMUS | 00:25 | |
39 | 1. ARMER SUNDER, DU | 00:43 | |
40 | 2. LIEBSTE JUNGFRAU, WIR SIND DEIN | 00:50 | |
41 | 3. HEILAND, UNSRE MISSETATEN | 00:44 | |
42 | 1. SCHATZERL KLEIN | 00:53 | |
43 | 2. ERLOSUNG | 01:03 | |
44 | 3. AVE REGINA COELORUM | 01:27 | |
45 | 1. WEIS WIE LILIEN, REINE KERZEN | 01:01 | |
46 | 2. ZIEHN DIE SCHAFE VON DER WIESE | 00:55 | |
47 | 1. SEHR LANGSAM | 03:14 | |
48 | 2. SEHR GETRAGEN UND AUSDRUCKSVOLL | 05:06 | |
1 | I. RUHIG SCHREITEND | 06:40 | |
2 | II. VARIATIONEN | 02:19 | |
3 | I. SEHR MASIG | 02:40 | |
4 | II. SEHR SCHWUNGVOLL | 02:24 | |
5 | 1. DAS DUNKLE HERZ | 02:25 | |
6 | 2. ES STURZT AUS HOHEN FRISCHE | 01:32 | |
7 | 3. HERR JESUS MEIN | 02:09 | |
8 | I. ETWAS LEBHAFT | 02:17 | |
9 | II. SEHR LANGSAM | 02:23 | |
10 | III. SEHR RASCH | 01:31 | |
11 | I. WIE BIN ICH FROH! | 00:45 | |
12 | II. DES HERZENS PURPURVOGEL | 01:30 | |
13 | III. STERNE, IHR SILBERNEN BIENEN | 01:11 | |
14 | DAS AUGENLICHT, OP. 26 | 05:17 | |
15 | I. SEHR MASSIG | 01:36 | |
16 | II. SEHR SCHNELL | 00:33 | |
17 | III. RUHIG FLIESEND | 03:10 | |
1 | I. MASIG | 03:55 | |
2 | II. GEMACHLICH - BEWEGT | 01:37 | |
3 | III. SEHR FLIESEND | 02:11 | |
4 | I. ZUNDENDER LICHTBLITZ | 01:58 | |
5 | II. KLEINER FLUGEL AHORNSAMEN | 01:50 | |
6 | III. TONEN DIE SELIGEN SAITEN APOLLS | 03:07 | |
7 | VARIATIONS FOR ORCHESTRA, OP. 30 | 05:43 | |
8 | I. SCHWEIGT AUCH DIE WELT | 01:16 | |
9 | II. SEHR TIEF VERHALTEN INNERST LEBEN | 02:24 | |
10 | III. SCHOPFEN AUS BRUNNEN DES HIMMELS | 01:45 | |
11 | IV. LEICHTESTE BURDEN DER BAUME | 00:48 | |
12 | V. FREUNDSELIG IST DAS WORT | 02:55 | |
13 | VI. GELOCKERT AUS DEM SCHOSE | 01:14 | |
14 | MUSIKALISCHES OPFER, BWV 1079: FUGA (RICERCAR NO. 2) A 6 VOCI | 06:53 | |
15 | QUINTET FOR PIANO AND STRING QUARTET | 11:41 | |
1 | RESPONSORY VIII FOR 6 VOICES: AESTIMATUS SUM | 04:49 | |
2 | MILLE VOLTE IL DI MORO (BOOK 6, NO. 7) | 03:12 | |
3 | ASCIUGATE I BEGLI OCCHI (BOOK 5, NO. 14) | 02:15 | |
4 | IO PARTO E NON PIU DISSI (BOOK 6, NO. 6) | 03:22 | |
5 | SE LA MIA MORTE BRAMI (BOOK 6, NO. 1) | 02:38 | |
6 | BELTA POI CHE T'ASSENTI (BOOK 6, NO. 2) | 03:31 | |
7 | ANCOR CHE PER AMARTI (BOOK 6, NO. 21) | 02:39 | |
8 | O DOLCE MIO TESORO (BOOK 6, NO. 8) | 02:07 | |
9 | TU PIANGI, O FILLI MIA (BOOK 6, NO. 3) | 02:31 | |
10 | TU M'UCCIDI, O CRUDELE (BOOK 5, NO. 15) | 03:40 | |
11 | MORO, E MENTRE SOSPIRO - QUANDO DI LUI LA SOSPIRATA VITA (BOOK 4, NO. 9) | 02:51 | |
12 | S'IO NON MIRO NON MORO (BOOK 5, NO 2) | 02:59 | |
13 | DEH! COME INVAN SOSPIRO (BOOK 6, NO. 8) | 03:06 | |
14 | RESPONSORY II FOR 6 VOICES: TRISTIS EST ANIMA MEA | 05:27 | |
15 | ILLUMINA NOS - MOTET FOR 7 VOICES | 05:07 | |
1 | I. INTRODUCTION. MASIG, RUHIG | 01:16 | |
2 | II. THEMA. MOLTO MODERATO | 00:52 | |
3 | VARIATION I. MODERATO | 01:00 | |
4 | VARIATION II. LANGSAM | 01:32 | |
5 | VARIATION III. MASIG | 00:46 | |
6 | VARIATION IV. WALZERTEMPO | 01:09 | |
7 | VARIATION V. BEWEGT | 01:48 | |
8 | VARIATION VI. ANDANTE | 01:16 | |
9 | VARIATION VII. LANGSAM | 02:07 | |
10 | VARIATION VIII. SEHR RASCH | 00:35 | |
11 | VARIATION IX. L'ISTESSO TEMPO - ABER ETWAS LANGSAMER | 01:00 | |
12 | III. FINALE. MASIG SCHNELL - GRAZIOSO - VIEL RASCHER - ADAGIO - PRESTO | 05:48 | |
13 | 1. UNENTRINNBAR | 01:08 | |
14 | 2. DU SOLLST NICHT, DU MUSST | 00:50 | |
15 | 3. MOND UND MENSCHEN (VON TSCHAN-JO-SU AUS "DIE CHINESISCHE FLOTE") | 02:36 | |
16 | 4. DER WUNSCH, DES LIEBHABERS (VON TSCHAN-JO-SU AUS "DIE CHINESISCHE FLOTE") | 03:41 | |
17 | 3 SATIREN, OP. 28, NO. 1: AM SCHEIDEWEG | 00:56 | |
18 | I. MARSCH | 03:50 | |
19 | II. MENUETT - TRIO | 06:18 | |
20 | III. VARIATIONEN. THEMA VAR. I-V | 03:34 | |
21 | IV. SONNETT NO. 217 BY FRANCESCO PETRARCA: "O KONNT' ICH JE DER RACH' AN IHR GENESEN" | 02:40 | |
22 | V. TANZSCENE | 06:42 | |
23 | VI. LIED (OHNE WORTE) | 01:46 | |
24 | VII. FINALE | 04:28 | |
1 | I. AVANT "L'ARTISANAT FURIEUX" | 01:25 | |
2 | II. COMMENTAIRE I DE "BOURREAUX DE SOLITUDE" | 03:38 | |
3 | III. L'ARTISANAT FURIEUX" | 02:07 | |
4 | IV. COMMENTAIRE II DE "BOURREAUX DE SOLITUDE" | 03:04 | |
5 | V. "BEL EDIFICE ET LES PRESSENTIMENTS" - VERSION PREMIERE | 02:46 | |
6 | VI. "BOURREAUX DE SOLITUDE" | 04:16 | |
7 | VII. APRES "L'ARTISANAT FURIEUX" | 00:53 | |
8 | VIII. COMMENTAIRE III DE "BOURREAUX DE SOLITUDE" | 04:27 | |
9 | IX. "BEL EDIFICE ET LES PRESSENTIMENTS" - DOUBLE | 06:33 | |
10 | "ZEITMASE" FOR FLUTE, OBOE, ENGLISH HORN, CLARINET AND BASSON, OP. 5 (1956) (1967 RE-EDITED VERSION) | 12:58 | |
1 | MADRIGAL FOR 5 VOICES: T'AMO, MIA VITA (BOOK V/21) | 02:06 | |
2 | MADRIGAL FOR 5 VOICES: OR CHE IN GIOIA - O SEMPRE CRUDO AMORE (BOOK IV/6) | 03:13 | |
3 | MADRIGAL FOR 5 VOICES: CHIARO RISPLENDER SUOLE (BOOK IV/5)) | 02:49 | |
4 | GAGLIARDA SECONDA FROM GAGLIARDE A 4 | 00:58 | |
5 | IN TE, DOMINE, SPERAVI | 02:48 | |
6 | O VOS OMNES | 03:25 | |
7 | COME VIVI COR MIO | 01:14 | |
8 | GAILLIARDA OTTAVA FROM GAGLIARDE A 4 | 01:36 | |
9 | MADRIGAL FOR 5 VOICES: FELICISSIMO SONNO (BOOK V/7) | 02:30 | |
10 | MADRIGAL FOR 5 VOICES: IO PUR RESPIRO IN COSI GRAN DOLORE (BOOK VI/10) | 03:11 | |
11 | MADRIGAL FOR 5 VOICES: GIA PIANSI NEL DOLORE (BOOK VI/22) | 02:57 | |
12 | MADRIGAL FOR 5 VOICES: RESTA DI DARMI NOIA (BOOK VI/4) | 02:15 | |
13 | MADRIGAL FOR 5 VOICES: DEH, COPRITE IL BEL SENO (BOOK V/16) | 02:11 | |
14 | SINFONIA A QUATTRO ANTICA | 02:39 | |
15 | MADRIGAL FOR 5 VOICES: COR MIO, DEH, NON PIANGETE - DUNQUE NON M'OFFENDETE | 04:17 | |
16 | GAILLIARDA NONA FROM GAGLIARDE A 4 | 01:48 | |
17 | MERCE GRIDO PIANGENDO | 02:45 | |
18 | ALL'OMBRA DEGL'ALLORI | 01:00 | |
19 | GAILLIARDA QUARTA FROM GAGLIARDE A 4 | 01:32 | |
20 | MADRIGAL FOR 5 VOICES: LANGUISCE AL FIN CHI DA LA VITA PARTE (BOOK V/10) | 03:34 | |
21 | MADRIGAL FOR 5 VOICES: NON T'AMO, O VOCE INGRATA (BOOK III/9) | 02:55 | |
22 | O CRUX BENEDICTA MOTET FOR 5 VOICES (BOOK I/14) | 04:02 | |
1 | ATTENDITE, POPULE MEUS, SWV 270 | 06:34 | |
2 | DU SCHALKSKNECHT, ALLE DIESE SCHULD HAB ICH DIR ERLASSEN, SWV 397 | 03:31 | |
3 | ES GING EIN SAMANN AUS ZU SAEN SEINEN SAMEN, SWV 408 | 10:35 | |
4 | ANIMA MEA LIQUEFACTA EST, SWV 263 | 04:03 | |
5 | ADJURO VOS, FILIAE JERUSALEM, SWV 264 | 04:14 | |
6 | DEUS, MISEREATUR NOSTRI, SWV 55 | 02:39 | |
7 | INTER BRACHIA SALVATORIS MEI, SWV 82 | 03:55 | |
8 | CANTATA "FILI MI, ABSALOM", SVW 269 | 05:44 | |
1 | 1. SEELE, WIE BIST DU SCHONER | 03:02 | |
2 | 2. SAHST DU NACH DEM GEWITTERREGEN DEN WALD? | 01:12 | |
3 | 3. UBER DIE GRENZEN DES ALL | 01:37 | |
4 | 4. NICHTS IST GEKOMMEN | 01:33 | |
5 | 5. HIER IST FRIEDE | 03:43 | |
6 | 1. HEFTIG BEWEGET - ETWAS RUHIGER | 02:31 | |
7 | 2. SEHR LANGSAM | 02:32 | |
8 | 3. SEHR BEWEGT | 00:47 | |
9 | 4. SEHR LANGSAM | 01:41 | |
10 | 5. IN ZARTER BEWEGUNG | 03:41 | |
11 | 1. VORGEFUHLE. SEHR RASCH | 02:14 | |
12 | 2. VERGANGENES. MASIGE VIERTEL | 05:09 | |
13 | 3. FARBEN. MASIGE VIERTEL | 03:27 | |
14 | 4. PERIPETIE. SEHR RASCH | 02:04 | |
15 | 5. DAS OBLIGATE REZITATIV. BEWEGTE ACHTEL | 03:25 | |
1 | IONISATION | 04:52 | |
2 | DENSITY 21. 5 | 04:13 | |
3 | INTEGRALES | 09:45 | |
4 | OCTANDRE | 06:48 | |
5 | HYPERPRISMS | 03:52 | |
6 | POEME ELECTRONIQUE | 08:04 | |
1 | PART I: I. CORO: "LAS, FURSTIN, LAS NOCH EINEN STRAHL" | 07:01 | |
2 | PART I: II. RECITATIVO (SOPRANO): "DEIN SACHSEN, DEIN BESTURZTES MEISEN" | 01:44 | |
3 | PART I: III. ARIA (SOPRANO): "VERSTUMMT, VERSTUMMT, IHR HOLDEN SAITEN!" | 03:43 | |
4 | PART I: IV. RECITATIVO (CONTRALTO/ALT): "DER GLOCKEN BEBENDES GETON" | 00:55 | |
5 | PART I: V. ARIA (CONTRALTO/ALT): "WIE STARB DIE HELDIN SO VERGNUGT!" | 06:30 | |
6 | PART I: VI. RECITATIVO (TENOR): "IHR LEBEN LIES DIE KUNST ZU STERBEN" | 01:24 | |
7 | PART I: VII. CORO: "AN DIR, DU VORBILD GROSER FRAUEN" | 01:57 | |
8 | PART II: VIII. ARIA (TENOR): "DER EWIGKEIT SAPHIRNES HAUS" | 03:47 | |
9 | PART II: IX. RECITATIVO ED ARIOSO (BASS): "WAS WUNDER IST'S?" (BASS), "SOWEIT DER VOLLE WEICHSELSTRAND" (ARIOSO), "DEIN TORGAU GEHT IM TRAUERKLEIDE" (RECITATIVO) | 02:45 | |
10 | PART II: X. CORO: "DOCH, KONIGIN! DU STIRBEST NICHT" | 06:29 | |
11 | I. CHOR: "AUS DER TIEFE RUFE ICH, HERR, ZU DIR" | 04:49 | |
12 | II. ARIA (BASS) UND CHORAL: "SO DU WILLST, HERR, SUNDE ZURECHNEN" (ARIA), "ERBARM DICH MEIN IN SOLCHER LAST" (CHORAL) | 04:10 | |
13 | III. CHOR: "ICH HARRE DES HERRN" | 03:15 | |
14 | IV. ARIA (TENOR) UND CHORAL: "MEINE SEELE WARTET AUF DEN HERRN" (ARIA), "UND WEIL ICH DENN IN MEINEM SINN" (CHORAL) | 04:14 | |
15 | V. CHOR: "ISRAEL, HOFFE AUF DEN HERRN" | 04:21 | |
1 | NO. 1: PRALUDIUM. LANGSAM | 04:03 | |
2 | NO. 2: REIGEN. ANFANGS ETWAS ZOGERND - LEICHT BESCHWINGT | 05:52 | |
3 | NO. 3: MARSCH. MASIGES MARSCHTEMPO | 09:23 | |
4 | BEGLEITMUSIK ZU EINER LICHTSPIELSZENE, OP. 34 | 08:14 | |
5 | NO 1: ETWAS BEWEGTE ACHTEL | 01:07 | |
6 | NO. 2: BEWEGT | 01:18 | |
7 | NO. 3: ZART BEWEGT | 01:08 | |
8 | NO. 4: LANGSAM | 03:24 | |
9 | NO. 5: SEHR LANGSAM | 02:33 | |
10 | NO. 6: ZART BEWEGT | 01:39 | |
1 | I. OSTINATO. ALLEGRO | 03:41 | |
2 | II. HYMNE. SOSTENUTO | 04:12 | |
3 | III. VARIATIONEN. | 02:55 | |
4 | IV. ADAGIO. SOSTENUTO - POCO LENTO - GRAVE | 07:23 | |
5 | I. EINLEITUNG | 01:22 | |
6 | II. DIE SEELE DES WEINES | 04:48 | |
7 | III. DER WEIN DER LIEBENDEN | 02:06 | |
8 | IV. DER WEIN DES EINSAMEN | 03:35 | |
9 | II. ANDANTE AMOROSO | 06:01 | |
10 | III. ALLEGRO MISTERIOSO - TRIO ESTATICO | 03:22 | |
11 | IV. ADAGIO APPASSIONATA | 05:43 | |
1 | MOTTO | 00:23 | |
2 | THEMA SCHERZOSO | 01:12 | |
3 | VARIATION I | 01:12 | |
4 | VARIATION II. LANGSAMES WALZERTEMPO | 01:14 | |
5 | VARIATION III. KRAFTIG BEWEGT | 01:09 | |
6 | VARIATION IV. SEHR RASCH | 00:40 | |
7 | VARIATION V. TEMPO PRIMO | 01:23 | |
8 | II. ADAGIO | 13:31 | |
9 | INTRODUZIONE | 02:08 | |
10 | RONDO RITMICO | 05:58 | |
11 | CODA | 01:23 | |
12 | 1. NACHT | 04:01 | |
13 | 2. SCHILFLIED | 02:22 | |
14 | 3. DIE NACHTIGALL | 02:18 | |
15 | 4. TRAUMGEKRONT | 03:05 | |
16 | 5. IM ZIMMER | 01:17 | |
17 | 6. LIEBESODE | 01:55 | |
18 | 7. SOMMERTAGE | 01:39 | |
1 | VOLGI, MIA LUCE - MADRIGAL FOR 6 VOICES | 02:01 | |
2 | O DOLOROSA GIOIA - MADRIDGAL FOR 5 VOICES | 03:58 | |
3 | ARDO PER TE, MIO BENE - MADRIGAL FOR 5 VOICES | 02:26 | |
4 | GAGLIARDA | 01:53 | |
5 | QUANDO RIDENTE E BELLA - MADRIGAL FOR 5 VOICES | 02:49 | |
6 | DOLCISSIMA MIA VITA - MADRIGAL FOR 5 VOICES | 02:49 | |
7 | RECESSIT PASTOR NOSTER - MOTET FOR 6 VOICES | 05:43 | |
8 | CHE FAI MECO - MADRIGAL FOR 5 VOICES | 02:22 | |
9 | QUESTA CRUDELE E PIA - MADRIGAL FOR 5 VOICES | 02:49 | |
10 | ARDITA ZANZARETTA - MADRIGAL FOR 5 VOICES | 03:02 | |
11 | AESTIMATUS SUM - MADRIGAL FOR 6 VOICES | 05:04 | |
12 | CANZON FRANCESE DEL PRINCIPE | 04:56 | |
13 | I. ASCIUGATE I BEGLI OCCHI (BOOK V/14) | 02:27 | |
14 | II. MA TU, CAGION DI QUELLA (BOOK V/18) | 01:54 | |
15 | III. BELTA, POI CHE T'ASSENTI (BOOK VI/2) | 02:43 | |
1 | I. ALLEGRO | 14:30 | |
2 | II. LARGHETTO | 08:18 | |
3 | III. ALLEGRETTO | 09:05 | |
4 | I. ANDANTE | 04:50 | |
5 | II. MOLTO ALLEGRO | 02:28 | |
6 | III. ADAGIO | 06:47 | |
7 | IV. GIOCOSO (MODERATO) | 05:30 | |
1 | I. LARGO - MOLTO ALLEGRO | 06:54 | |
2 | II. MENUETTO - TRIO I - TRIO II | 05:56 | |
3 | III. ADAGIO | 04:54 | |
4 | IV. MENUETTO. ALLEGRETTO - TRIO I - TRIO II | 03:12 | |
5 | V. ROMANCE. ADAGIO - ALLEGRETTO | 04:15 | |
6 | VI. [THEMA MIT 6 VARIATIONEN]. [ANDANTE] | 06:55 | |
7 | VII. FINALE. MOLTO ALLEGRO | 03:26 | |
8 | 6 GERMAN DANCES, D. 820 (ORCHESTRATED BY ANTON WEBERN) | 07:43 | |
1 | DESERTS | 24:45 | |
2 | OFFRANDES: CHANSON DE LA-HAUT | 03:05 | |
3 | OFFRANDES: LA CROIX DU SUD | 03:35 | |
4 | ARCANA | 16:05 | |
1 | SCENE 1: "HIER HINEIN?...MAN SIEHT DEN WEG NICHT" | 02:46 | |
2 | SCENE 2: "IST DAS NOCH DER WEG?" | 02:45 | |
3 | SCENE 3: "DA KOMMT EIN LICHT!..." | 01:38 | |
4 | SCENE 4: "ER IST AUCH NICHT DA.." | 01:47 | |
5 | SCENE 4: "DAS MONDLICHT...NEIN DORT" | 07:28 | |
6 | SCENE 4: "NEIN, DAS IST DOCH NICHT MOGLICH" | 01:24 | |
7 | SCENE 4: "DU SIEHST WIEDER DORT HIN!" | 06:11 | |
8 | SCENE 4: "DER MORGEN TRENNT UNS" | 03:04 | |
9 | I. POCO ALLEGRO | 11:14 | |
10 | II. ANDANTE GRAZIOSO | 07:17 | |
11 | III. ALLEGRO | 10:22 | |
1 | PART I, 1. MONDESTRUNKEN | 01:38 | |
2 | PART I, 2. COLOMBINE | 01:39 | |
3 | PART I, 3. DER DANDY | 01:21 | |
4 | PART I, 4. EINE BLASSE WASCHERIN | 01:18 | |
5 | PART I, 5. VALSE DE CHOPIN | 01:14 | |
6 | PART I, 6. MADONNA | 01:55 | |
7 | PART I, 7. DER KRANKE MOND | 02:20 | |
8 | PART II, 8. NACHT (PASSACAGLIA) | 01:58 | |
9 | PART II, 9. GEBET AN PIERROT | 00:57 | |
10 | PART II, 10. RAUB | 01:14 | |
11 | PART II, 11. ROTE MESSE | 01:40 | |
12 | PART II, 12. GALGENLIED | 00:16 | |
13 | PART II, 13. ENTHAUPTUNG | 01:54 | |
14 | PART II, 14. DIE KREUZE | 01:55 | |
15 | PART III, 15. HEIMWEH | 01:59 | |
16 | PART III, 16. GEMEINHEIT! | 01:06 | |
17 | PART III, 17. PARODIE | 01:19 | |
18 | PART III, 18. DER MONDFLECK | 00:47 | |
19 | PART III, 19. SERENADE | 02:06 | |
20 | PART III, 20. HEIMFAHRT (BARCAROLE) | 01:41 | |
21 | PART III, 21. O ALTER DUFT | 01:34 | |
22 | SCENE I: MASIGE VIERTEL, ABER SEHR HEFTIG "STILL, O SCHWEIGE" | 02:41 | |
23 | SCENE II: VERWANDLUNG "DAS BLUHEN: OH SEHNSUCHT!" | 04:26 | |
24 | SCENE III: KRAFTIG BEWEGT "DAS KANN MAN EINFACHER!" | 02:19 | |
25 | SCENE III: VIEL RASCHER - ALLEGRO (BAR 126) | 01:38 | |
26 | SCENE III: MASSIG BEWEGT (BAR 166) | 01:37 | |
27 | SCENE IV: "MUSSTEST DU'S WIEDER ERLEBEN" | 04:35 | |
28 | A SURVIVOR FROM WARSAW, OP. 46 | 06:04 | |
1 | DIE EIN WENIG BEWEGT - ZOGERND | 04:06 | |
2 | HEFTIG [FIG. 4 + 4 BARS] | 03:18 | |
3 | LEBHAFT [FIG. 9] | 03:45 | |
4 | SEHR RASCH [FIG. 16] | 03:01 | |
5 | SEHR LANGSAM [FIG. 25] | 02:04 | |
6 | SEHR LANGSAM, GEDEHNT [FIG. 30 + 6 BARS] | 01:27 | |
7 | EIN WENIG BEWEGT [FIG. 33] | 01:16 | |
8 | LANGSAM [FIG. 36] | 03:00 | |
9 | EIN WENIG BEWEGT [FIG. 43] | 03:43 | |
10 | SEHR LANGSAM [FIG. 50] | 04:48 | |
11 | ETWAS BEWEGT [FIG. 55] | 02:19 | |
12 | IN GEHENDER BEWEGUNG [FIG. 59] | 01:54 | |
13 | BREIT [FIG. 62] | 05:30 | |
1 | PRELUDE TO GENESIS FOR MIXED CHORUS AND ORCHESTRA, OP. 44 | 05:35 | |
2 | I. RASCHE VIERTEL | 00:43 | |
3 | II. MASIGE VIERTEL | 00:33 | |
4 | III. GEHENDE VIERTEL | 00:41 | |
5 | INTRODUKTION. MASIG - RUHIG | 01:20 | |
6 | THEMA. MOLTO MODERATO | 00:55 | |
7 | VARIATION I. MODERATO | 00:59 | |
8 | VARIATION II. LANGSAM | 01:30 | |
9 | VARIATION III. MASIG | 00:46 | |
10 | VARIATION IV. WALZERTEMPO | 01:08 | |
11 | VARIATION V. BEWEGT | 01:48 | |
12 | VARIATION VI. ANDANTE | 01:14 | |
13 | VARIATION VII. LANGSAM | 02:08 | |
14 | VARIATION VIII. SEHR RASCH | 00:35 | |
15 | VARIATION IX. L'ISTESSO TEMPO - ABER ETWAS LANGSAMER | 00:50 | |
16 | FINALE. MASIG SCHNELL | 05:24 | |
17 | GRAVE | 05:37 | |
18 | MOLTO RALLENTANDO (BAR 100) | 05:18 | |
19 | PESANTE (BAR 201) | 01:45 | |
20 | ADAGIO (BAR 229) | 08:37 | |
21 | ADAGIO (BAR 370) | 03:41 | |
1 | I. CHANT PASTORAL | 01:43 | |
2 | II. LES COMPARAISONS | 00:34 | |
3 | III. LES CONTES | 00:48 | |
4 | IV. CHANSON | 01:40 | |
5 | V. LA PARTIE D'OSSELETS | 00:44 | |
6 | VI. BILITIS | 01:10 | |
7 | VII. LE TOMBEAU SANS NOM | 01:25 | |
8 | VIII. LES COURTISANES EGYPTIENNES | 00:47 | |
9 | IX. L'EAU PURE DU BASSIN | 00:58 | |
10 | X. LA DANSEUSE AUX CROTALES | 01:11 | |
11 | XI. LE SOUVENIR DE MNASIDICA | 00:53 | |
12 | XII. LA PLUIE AU MATIN | 02:33 | |
13 | 1. PRELUDE. LENT | 02:27 | |
14 | 2. MODEREMENT ANIME | 00:46 | |
15 | 3. MODERE | 02:03 | |
16 | 4. MODEREMENT ANIME | 00:29 | |
17 | 5. VIF | 00:51 | |
18 | 6. MODEREMENT ANIME | 00:25 | |
19 | 7. SOUTENU | 01:33 | |
20 | 8. AGITE - TRES RETENU - PLUS AGITE QU'AU DEBUT - | 02:22 | |
21 | 9. VIF ET PASSIONE - UN PEU PLUS CALME - | 03:50 | |
22 | 10. GRAVE - PLUS CALME - | 02:13 | |
23 | 11. LENT - TRES PASSIONEMENT - LENT | 01:11 | |
1 | I. VORGEFUHLE (PREMONITIONS) | 02:05 | |
2 | II. VERGANGENES (YESTERYEARS) | 05:01 | |
3 | III. FARBEN (COLORS) | 02:49 | |
4 | IV. PERIPETIE (PERIPETIA) | 01:59 | |
5 | V. DAS OBLIGATE REZITATIV (THE OBLIGATORY RECITATIVE) | 03:26 | |
6 | I. SERAPHITA | 04:37 | |
7 | II. ALLE, WELCHE DICH SUCHEN | 01:29 | |
8 | III. MACH MICH ZUM WACHTER DEINER WEITEN | 03:48 | |
9 | IV. VORGEFUHL | 02:16 | |
10 | I. ADAGIO | 06:59 | |
11 | II. CON FUOCO. LENTO | 10:20 | |
12 | KOL NIDRE, OP. 39 | 11:10 | |
1 | HERZGEWACHSE, OP. 20 | 03:38 | |
2 | DREIMAL TAUSEND JAHRE, OP. 50A | 02:53 | |
3 | LANGSAM - | 05:28 | |
4 | SEHR RASCH - VIEL LANGSAMER - SEHR RASCH - | 02:13 | |
5 | VIEL LANGSAMER, ABER DOCH FLIESEND - | 03:16 | |
6 | VIEL LANGSAMER - | 03:22 | |
7 | ETWAS BEWEGTER | 06:02 | |
8 | I. PRELUDE | 08:18 | |
9 | II. FUGUE | 05:45 | |
10 | 18 CHORALE PRELUDES: SCHMUCKE DICH, O LIEBE SEELE, BWV 654 (ARRANGED BY ARNOLD SCHOENBERG FOR ORCHESTRA) | 05:16 | |
11 | DAS ORGEL-BUCHLEIN: KOMM, GOTT SCHOPFER, HEILIGER GEIST, BWV 631 (ARRANGED BY ARNOLD SCHOENBERG FOR ORCHESTRA) | 02:11 | |
12 | ARNOLD SCHOENBERG INTERVIEW WITH HALSEY STEVENS | 06:27 | |
1 | I. DANK | 06:01 | |
2 | II. ABSCHIED | 08:42 | |
3 | 1. ERWARTUNG | 04:15 | |
4 | 2. SCHENK MIR DEINEN GOLDENEN KAMM | 03:43 | |
5 | 3. ERHEBUNG | 01:11 | |
6 | 4. WALDSONNE | 02:46 | |
7 | 1. UNTERM SCHUTZ VON DICHTEN BLATTERGRUNDEN | 02:37 | |
8 | 2. HAIN IN DIESEN PARADIESEN | 01:18 | |
9 | 3. ALS NEULING TRAT ICH EIN IN DEIN GEHEGE | 01:41 | |
10 | 4. DA MEINE LIPPEN REGLOS SIND | 01:28 | |
11 | 5. SAGET MIR, AUF WELCHEM PFADE | 01:12 | |
12 | 6. JEDEM WERKE BIN ICH FURDER TOT | 00:59 | |
13 | 7. ANGST UND HOFFEN WECHSELND SICH BEKLEMMEN | 01:09 | |
14 | 8. WENN ICH HEUT NICHT DEINEN LEIB BERUHRE | 00:57 | |
15 | 9. STRENG IST UNS DAS GLUCK UND SPRODE | 01:23 | |
16 | 10. DAS SCHONE BEET BETRACHT ICH MIR IM HARREN | 02:16 | |
17 | 11. ALS WIR HINTER DEM BEBLUMTEN TORE | 03:24 | |
18 | 12. WENN SICH BEI HEILGER RUH IN TIEFEN MATTEN | 01:59 | |
19 | 13. DU LEHNEST WIDER EINE SILBERWEIDE | 01:33 | |
20 | 14. SPRICH NICHT MEHR VON DEM LAUB | 00:40 | |
21 | 15. WIR BEVOLKERTEN DIE ABEND-DUSTERN LAUBEN | 06:11 | |
1 | I. MASSIG | 04:11 | |
2 | II. MASSIGE | 08:24 | |
3 | III. BEWEGT | 02:34 | |
4 | I. SEHR LANGSAM | 02:38 | |
5 | II. SEHR RASCH | 02:00 | |
6 | III. LANGSAM | 04:28 | |
7 | IV. SCHWUNGVOLL | 02:48 | |
8 | V. WALZER | 02:48 | |
9 | I. LEICHT, ZART | 01:25 | |
10 | II. LANGSAM | 01:02 | |
11 | III. SEHR LANGSAM | 00:50 | |
12 | IV. RASCH, ABER LEICHT | 00:21 | |
13 | V. ETWAS RASCH | 00:29 | |
14 | VI. SEHR LANGSAM | 01:17 | |
15 | PRALUDIUM, RASCH | 00:54 | |
16 | GAVOTTE - MUSETTE | 04:46 | |
17 | INTERMEZZO | 05:32 | |
18 | MENUETT | 03:52 | |
19 | GIGUE, RASCH | 02:31 | |
20 | I. MASSIG | 02:43 | |
21 | II. MASSIG, LANGSAM | 04:23 | |
1 | I. OUVERTURE. LARGO | 05:53 | |
2 | II. ADAGIO | 04:55 | |
3 | III. MENUET. MODERATO - TRIO | 04:54 | |
4 | IV. GAVOTTE. MODERATO - PIU MOSSO - CODA | 06:05 | |
5 | V. GIGUE. MODERATO | 07:11 | |
6 | NO. 1, NATUR | 05:49 | |
7 | NO. 4, NIE WARD ICH, HERRIN, MUD... | 04:28 | |
8 | NO. 5, VOLL JENER SUSE... | 06:12 | |
9 | NO. 6, WENN VOGLEIN KLAGEN... | 05:49 | |
10 | NO. 3, SEHNSUCHT | 01:37 | |
11 | NO. 2, DAS WAPPENSCHILD | 04:08 | |
1 | FRIEDE AUF ERDEN, OP. 13 | 08:08 | |
2 | I. ALLEGRO - ANIMATO - TRANQUILLO | 12:22 | |
3 | II. INTERMEZZO. ALLEGRO, MA NON TROPPO. TRIO. ANIMATO - CODA | 08:03 | |
4 | III. ANDANTE CON MOTO - ANIMATO | 09:41 | |
5 | IV. RONDO ALLA ZINGARESE. PRESTO - MENO PRESTO - KADENZ - MENO PRESTO - POCO PIU PRESTO - MOLTO PRESTO | 07:53 | |
1 | I. VERSICULUS & RESPONSORIUM: DEUS IN ADJUTORIUM - DOMINE AD ADJUVANDUM | 02:14 | |
2 | II. PSALMUS: DIXIT DOMINUS | 08:11 | |
3 | III. CONCERTO: AUDI COELUM VERBA MEA | 09:02 | |
4 | IV. PSALMUS: NISI DOMINUS | 04:13 | |
5 | V. CONCERTO: PULCHRA ES | 04:25 | |
6 | VI. PSALMUS: LAETATUS SUM | 07:06 | |
7 | VII. HYMNUS: AVE MARIS STELLA | 09:15 | |
8 | VIII. SONATA SOPRA SANCTA MARIA "SANCTA MARIA" | 06:53 | |
1 | IX. PSALMUS: LAUDATE, PUERI, DOMINUM | 05:53 | |
2 | X. CONCERTO: DUO SERAPHIM | 06:45 | |
3 | XI. PSALMUS: LAUDA JERUSLEM | 03:24 | |
4 | XII. CONCERTO: NIGRA SUM | 03:45 | |
5 | XIII. MAGNIFACAT: MAGNIFICAT ANIMA MEA DOMINUM | 19:16 | |
1 | I. MARSCH | 03:56 | |
2 | II. MENUETT - TRIO | 06:25 | |
3 | III. VARIATIONEN. THEMA - VAR. I-V | 03:53 | |
4 | IV. SONNET NO. 217 VON PETRARCA "O KONNT' ICH JE DER RACH' AN IHR GENESEN" | 02:41 | |
5 | V. TANZSCENE | 06:34 | |
6 | VI. LIED (OHNE WORTE) | 01:52 | |
7 | VII. FINALE | 04:37 | |
8 | I. SCHWUNGVOLL | 10:44 | |
9 | II. ANMUTIG UND HEITER. SCHERZANDO | 08:27 | |
10 | III. ETWAS LANGSAM (POCO ADAGIO) | 07:54 | |
11 | IV. RONDO | 08:06 | |
1 | 1. UNENTRINNBAR | 01:17 | |
2 | 2. DU SOLLST NICHT, DU MUSST | 00:56 | |
3 | 3. MOND UND MENSCHEN | 03:08 | |
4 | 4. DER WUNSCH DES LIEBHABERS | 03:29 | |
5 | NO. 1: AM SCHEIDEWEG | 00:54 | |
6 | NO. 2: VIELSEITIGKEIT | 00:46 | |
7 | NO. 3: DER NEUE KLASSIZISMUS | 08:06 | |
8 | APPENDIX, NO. 1: EIN SPRUCH UND ZWEI VARIATIONEN UBER IHN | 01:59 | |
9 | APPENDIX, NO. 2: CANON FOR STRING QUARTET | 00:24 | |
10 | APPENDIX, NO. 3: LEGITIMATION ALS CANON | 01:35 | |
11 | I. OUVERTURE. ALLEGRETTO - GRAZIOSO - TEMPO I | 07:16 | |
12 | II. TANZSCHRITTE. MODERATO | 06:52 | |
13 | III. THEMA MIT VARIATIONEN | 05:04 | |
14 | IV. GIGUE | 06:34 | |
1 | TRIO FOR VIOLIN, VIOLA AND CELLO, OP. 45 | 21:33 | |
2 | ODE TO NAPOLEON BUONAPARTE, OP. 41 | 15:41 | |
1 | VARIATIONS ON A RECITATIVE, OP. 40 | 13:57 | |
2 | GRAVE - PIU MOSSO - MENO MOSSO - LENTO - GRAZIOSO - TEMPO I - PIU MOSSO | 06:00 | |
3 | SCHERZANDO - POCO TRANQUILLO - SCHERZANDO - MENO MOSSO - TEMPO I | 02:36 | |
4 | THEME AND VARIATIONS, OP. 43B | 11:50 | |
1 | SCHON WAR ES DORT! | 05:37 | |
2 | IHR HABT EUCH ALSO UBER MICH SO GUT UNTERHALTEN? | 05:24 | |
3 | NUN WERDE ICH MIR AUCH DIE HAARE FARBEN | 05:22 | |
4 | GLAUBST DU WIRKLICH, DU KANNST MICH ERWARMEN | 05:10 | |
5 | ABER WIRKLICH: VERSTUNDEST DU MICH... | 01:34 | |
6 | SO WERDE ICH DAZU SINGEN | 02:10 | |
7 | LIEBSTE, DER GASMANN IST DRAUSEN | 03:25 | |
8 | HALLOH, HALLOH! SIE, GNADIGE FRAU, AM TELEPHON? | 09:46 | |
9 | SOLL ICH WIEDER ICH SEIN? | 02:54 | |
10 | BABY, LIES, WAS AUF DIESER SCHACHTEL STEHT! | 02:09 | |
11 | OHO, OHO, OHO, WAS SEH ICH DA? | 06:10 | |
12 | WIR VIELLEICHT SCHON VERBLASSTE | 01:08 | |
1 | PSALM 130 "DE PROFUNDIS", OP. 50B (1950) | 05:01 | |
2 | MODERNER PSALM, OP. 50C (1950) | 05:52 | |
3 | 1. HEMMUNG | 01:34 | |
4 | 2. DAS GESETZ | 02:19 | |
5 | 3. AUSDRUCKSWEISE | 02:27 | |
6 | 4. GLUCK | 01:12 | |
7 | 5. LANDSKNECHTE | 03:53 | |
8 | 6. VERBUNDENHEIT | 02:11 | |
9 | CANON: GRAVITATIONSZENTRUM EIGENEN SONNENSYSTEM (FOR ALMA MAHLER-WERFEL) | 00:47 | |
10 | CANON: VON MEINEN STEINEN (FUR ERWIN STEIN, CHRISTMAS 1926) | 00:51 | |
11 | CANON: MR. SAUNDERS I OWE YOU THANKS (FOR RICHARD DRAKE SAUNDERS) | 01:34 | |
12 | CANON: O DAS DER SINNEN DOCH SO VIELE SIND! | 02:16 | |
13 | CANON: WENN DER SCHWER GEDRUCKTE KLAGT (BARENREITER II) | 01:03 | |
14 | CANON: WER MIT DER WELT LAUFEN WILL (FUR DAVID BACH ON HIS 60TH BIRTHDAY) | 00:54 | |
15 | BIRTHDAY CANON NO. 1: NO MAN ESCAPE (FOR CARL ENGEL ON HIS 60TH BIRTHDAY) | 01:12 | |
16 | BIRTHDAY CANON NO. 2: I, TOO, WAS NOT BETTER OFF (FOR CARL ENGEL ON HIS 60TH BIRTHDAY) | 01:07 | |
17 | CANON: I AM ALMOST SURE (FOR THE BIRTH OF ARTUR RODZINSKY'S SON RICHARD) | 01:20 | |
18 | CANON FOR THE 40TH ANNIVERSARY OF THE CONCERTGEBOUWORKEST AMSTERDAM | 00:37 | |
19 | KANON FUR 4 STIMMEN: ES IST ZU DUMM (FOR RUDOLPH GANZ) (BARENREITER XXII) | 01:24 | |
20 | 1. ALLEGRO MODERATO | 06:25 | |
21 | 2. ANDANTE, ALLA MARCIA | 05:02 | |
22 | 3. TEMPO DI MINUETTO | 05:14 | |
1 | VARIATIONS - ALDOUS HUXLEY IN MEMORIAM | 04:51 | |
2 | ABRAHAM AND ISAAC - SACRED BALLAD FOR BARITONE AND CHAMBER ORCHESTRA | 10:26 | |
3 | INTROITUS - T. S. ELLIOT IN MEMORIAM | 03:47 | |
4 | I. PRELUDE | 01:05 | |
5 | II. EXAUDI | 01:44 | |
6 | III. DIES IRAE | 00:52 | |
7 | IV. TUBA MIRUM | 00:57 | |
8 | V. INTERLUDE | 02:50 | |
9 | VI. REX TREMENDAE | 01:23 | |
10 | VII. LACRIMOSA | 01:38 | |
11 | VIII. LIBERA ME | 00:59 | |
12 | IX. POSTLUDE | 02:11 | |
1 | 11. ALME D'AMOR RUBELLE | 02:11 | |
2 | 12. CANDIDO E VERDE FIORE | 01:56 | |
3 | 1. SE LA MIA MORTE BRAMI | 02:52 | |
4 | 2. BELTA POI CHE T'ASSENTI | 02:33 | |
5 | 3. TU PIANGI, O FILLI MIA | 02:47 | |
6 | 4. RESTA DI DARMI NOIA | 02:28 | |
7 | 5. CHIARO RISPLENDER SUOLE | 02:40 | |
8 | 6. IO PARTO E NON PIU DISSI | 03:15 | |
9 | 7. MILLE VOLTE IL DI MORO | 03:13 | |
10 | 8. O DOLCE MIO TESORO | 02:08 | |
11 | 9. DEH, COME INVAN SOSPIRO | 02:54 | |
12 | 10. IO PUR RESPIRO IN COSI GRAN DOLORE | 03:10 | |
13 | 13. ARDITA ZANZARETTA | 02:57 | |
14 | 14. ARDO PER TE, MIO BENE | 02:24 | |
15 | 15. ANCIDE SOL LA MORTE | 02:25 | |
16 | 16. QUEL 'NO' CRUDEL QUE LA MIA SPEME ANCISE | 02:35 | |
17 | 17. MORO, LASSO, AL MIO DUOLO | 03:11 | |
18 | 18. VOLAN QUASI FARFALLE | 02:42 | |
19 | 19. AL MIO GIOIR IL CIEL SI FA SERENO | 02:29 | |
20 | 20. TU SEGUI, O BELLA CLORI | 01:38 | |
21 | 21. ANCOR CHE PER AMARTI | 02:07 | |
22 | 22. GIA PIANSI NEL DOLORE | 03:11 | |
23 | 23. QUANDO RIDENTE E BELLA | 01:51 | |
1 | SYMPHONIES OF WIND INSTRUMENTS | 08:35 | |
2 | PART I, SCENE 1: CHEZ LA MARIEE "KOSAL MOYA KO" | 04:49 | |
3 | PART I, SCENE 2: CHEZ LE MARIEE "PRECHISTAYA MAT, KHODI" | 05:31 | |
4 | PART I, SCENE 3: LE DEPART DE LA MARIEE "BLAGOSLAVYALSYA SVETYOL MESYATS" | 02:40 | |
5 | PART II, SCENE 4: LE REPAS DE NOCES "YAGODA S YAGODOI SOKATILASYA" | 09:11 | |
6 | SCENE 1: CHEZ LA MARIEE "KOSAL MOYA KO" | 04:58 | |
7 | SCENE 2: CHEZ LE MARIE "PRECHISTAY MAT, KHODI" | 05:38 | |
8 | INTRODUCTION | 02:11 | |
9 | MARCHE CHINOISE | 03:19 | |
10 | CHANT DU ROSSIGNOL | 03:20 | |
11 | JEU DU ROSSIGNOL MECANIQUE | 09:53 | |
1 | PRELUDE: "TE DEUM LAUDAMUS" | 06:05 | |
2 | MELODRAMA: "IN A WORM'S LIKENESS WILL HE WEND" | 04:50 | |
3 | THE BUILDING OF THE ARK (CHOREOGRAPHY) | 02:33 | |
4 | THE CATALOGUE OF THE ANIMALS: "THE LORD BADE THAT I SHOULD BRING" | 01:33 | |
5 | THE COMEDY (NOAH AND HIS WIFE): "WIFE, COME IN!" | 01:43 | |
6 | THE FLOOD (CHOREOGRAPHY) | 02:32 | |
7 | THE COVENANT OF THE RAINBOW: "A COVENANT, NOAH, WITH THEE I MAKE" | 03:28 | |
8 | PART I, SCENE 1: CHEZ LE MARIEE "KOSAL MOYA KO" | 04:58 | |
9 | PART I, SCENE 2: CHE LE MARIE "PRECHISTAYA MAT, KHODI" | 05:38 | |
10 | PART I, SCENE 3: LE DEPART DE LA MARIEE "BLAGOSLAVYALSYA SVETYOL MESYATS" | 02:57 | |
11 | PART II, SCENE 4: LE REPAS DE NOCES | 09:38 | |
12 | I. KYRIE | 02:46 | |
13 | II. GLORIA | 04:02 | |
14 | III. CREDO | 04:07 | |
15 | IV. SANCTUS | 03:21 | |
16 | V. AGNUS DEI | 03:04 | |
1 | I. PRESTO | 06:30 | |
2 | II. ANDANTE RAPSODICO | 05:01 | |
3 | III. ALLEGRO CAPRICCIOSO MA TEMPO GUISTO | 05:25 | |
4 | I. FORGET-ME-NOTS | 01:09 | |
5 | II. THE DOVE | 01:29 | |
6 | I. AKAHITO (A MAURICE DELAGE) | 00:48 | |
7 | II. MAZATSUMI (A FLORENT SCHMITT) | 00:57 | |
8 | III. TSARAIUKI (A MAURICE RAVEL) | 01:22 | |
9 | TILIM-BOM | 01:01 | |
10 | I. THE DRAKE | 01:17 | |
11 | II. A RUSSIAN SPIRITUAL | 01:45 | |
12 | III. GEESE AND SWANS | 00:35 | |
13 | IV. TILIM-BOM | 01:05 | |
14 | EPITAPHIUM (FOR THE TOMBSTONE OF PRINCE MAX EGON ZU FURSTENBERG) | 01:10 | |
15 | DOUBLE CANON "RAOUL DUFY IN MEMORIAM" FOR STRING QUARTET | 01:20 | |
16 | I. MARCHE - INTRODUCTION | 01:56 | |
17 | II. PAS D'ACTION. CON MOTO | 03:12 | |
18 | III. THEME VARIE. LENTO - VAR. 1. ALLEGRETTO - VAR. 2. SCHERZANDO - VAR. 3. ANDANTINO - VAR. 4. TEMPO GIUSTO | 07:34 | |
19 | IV. PAS DE DEUX. RISOLUTO - ANDANTE SOSTENUTO | 04:50 | |
20 | V. MARCHE - CONCLUSION | 00:53 |
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