- Format
- CD
- EAN13
- 0028948640348
- Support
- CD 12 CM LP
- Durée
- 383:24
- Nombre de pistes
- 174
- Poids
- 287 g
- Largeur
- 129 mm
- épaisseur
- 26 mm
- Hauteur
- 129 mm
- Nombre d’unité
- 9
- Date de publication
- 2023-11-17
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Russell Oberlin est sans doute l'une des plus grandes merveilles vocales du XXe siècle. Par la beauté de son timbre, sa virtuosité, son expressivité et son naturel, le chanteur américain peut sans aucun doute être considéré comme le père de tous les contre-ténors modernes.
Son répertoire s'étend des chants médiévaux aux chansons anglaises pour luth, en passant par la musique chorale de la Renaissance, les airs d'opéra baroques, les lieder allemands et les chansons de comédies musicales et de films. Quel autre chanteur disposerait d'une palette vocale aussi large ? Ce coffret est aussi une nouvelle rencontre avec un ensemble pionnier de la pratique historique de l'interprétation : New York Pro Musica, fondé par Noah Greenberg en 1952, un an avant le Concentus Musicus de Harnoncourt.
Outre la première sortie mondiale de quatre œuvres, la plupart des enregistrements sont publiés pour la première fois en dehors des États-Unis et du Royaume-Uni et ont été soigneusement remasterisés à partir des bandes originales pour ce coffret.
A noter : Un essai détaillé de Pierre Ruhe, directeur des publications d'Early Music America, et de nombreuses images rares complètent l'édition.
| # | Nom | Durée | Version |
|---|---|---|---|
| 1 | - Viderunt omnes | 01:55 | |
| 2 | - No. 1, Ductia | 02:08 | |
| 3 | - No. 2, Estampie | 01:12 | |
| 4 | - Hostis Herodes | 03:35 | |
| 5 | - Vergine bella | 05:12 | |
| 6 | - Ave regina caelorum | 02:20 | |
| 7 | - There Is No Rose | 01:40 | |
| 8 | - Saltarello | 01:35 | |
| 9 | - Riu, riu | 03:02 | |
| 10 | - Dadme albricias | 01:27 | |
| 11 | - Salve Regina | 05:10 | |
| 12 | - Pavane | 01:26 | |
| 13 | - Galliarde | 00:55 | |
| 14 | - Tourdion | 00:48 | |
| 15 | - Basse dance | 01:29 | |
| 16 | - Te Deum | 04:42 | |
| 17 | - Nowell, Nowell | 03:08 | |
| 1 | - Prelude: Incipit | 01:57 | |
| 2 | - Ad honorem tui, Christe | 00:43 | |
| 3 | - Prelude: Astra tenenti | 01:08 | |
| 4 | - The Court of Belshazzar: Rex, in aeternum vive! - Vos qui paretis | 00:43 | |
| 5 | - The Vessels Defiled: Jubilemus Regi nostro - Ecce sunt ante faciem | 02:09 | |
| 6 | - The Writing On The Wall: Vocate mathematicos - Rex in aeternum - Qui scripturam - Nescimus per solvere | 01:27 | |
| 7 | - The Queen's Advice: Cum doctorum | 01:16 | |
| 8 | - The Queen's Advice: Rex, in aeternum vive! - Cum Judaeae captivis | 01:22 | |
| 9 | - Daniel Discovered: Vos Danielem quaerite - Vir propheta - Multum miror | 01:21 | |
| 10 | - Daniel Discovered: Hic verus Dei - Pauper et exulans - Rex, in eternum vive! | 01:30 | |
| 11 | - The Interpretation: Tune Daniel | 00:32 | |
| 12 | - The Interpretation: Rex, tua nolo munera | 02:16 | |
| 13 | - Daniel Adorned: Qui sic solvit - Tolle vasa | 00:31 | |
| 14 | - Daniel Adorned: Solvitur in libro Salomonis | 00:54 | |
| 15 | - The Vessels Restored: Regis vasa referentes | 00:53 | |
| 16 | - The Court of Darius: Ecce rex Darius – Rex, in aeternum vive | 02:52 | |
| 17 | - The Court of Darius: Audite, principes | 00:55 | |
| 18 | - The Delegation to Daniel: Ex regali venit imperio | 01:21 | |
| 19 | - The Delegation to Daniel: Congaudentes celebremus – Rex, in aeternum vive | 01:08 | |
| 20 | - The Delegation to Daniel: Quia novi te | 00:24 | |
| 21 | - The Decree: Rex, in aeternum vive! - Decreverunt in tua curia | 01:18 | |
| 22 | - The Decree: Ego mando et remando - Num quid, Dari - Si sprevit legem | 01:04 | |
| 23 | - The Decree: Heu! Heu! Heu! - Deus quem colis | 01:24 | |
| 24 | - The Lions’ Den: Hujus rei non sum reus | 00:46 | |
| 25 | - The Lions’ Den: Abacuc - Novit Dei - Surge, frater - Recordatus es mei | 01:15 | |
| 26 | - The Lions’ Den: Tene, putas - Rex - Danielem educite | 01:19 | |
| 27 | - The Lions’ Den: Merito haec patimur - Deum Danielis | 00:51 | |
| 28 | - The Prophecy: Ecce venit sanctus ille | 00:48 | |
| 29 | - The Prophecy: Nuntium vobis | 00:58 | |
| 30 | - The Prophecy: Te deum laudamus | 05:05 | |
| 1 | - In jejunio et fletu | 03:35 | |
| 2 | - I. Incipit lamentatio Ieremiae | 00:44 | |
| 3 | - II. Aleph | 01:57 | |
| 4 | - III. Beth | 03:13 | |
| 5 | - I. De lamentatione Ieremiae prophetae | 00:52 | |
| 6 | - II. Gimel | 01:49 | |
| 7 | - III. Daleth | 02:55 | |
| 8 | - IV. Heth | 03:03 | |
| 9 | - I. Gloria | 04:41 | |
| 10 | - II. Credo | 04:55 | |
| 11 | - III. Sanctus | 04:34 | |
| 12 | - IV. Agnus Dei | 03:35 | |
| 1 | - About the May pole | 01:35 | |
| 2 | - Phillis, I Fain Would Die Now | 03:29 | |
| 3 | - No. 2, Flow My Teares | 04:26 | |
| 4 | - No. 1, Pavane | 02:58 | |
| 5 | - No. 2, Galliard | 02:02 | |
| 6 | - Tobacco, Tobacco | 01:46 | |
| 7 | - No. 1, God Give You Good Morrow | 04:00 | |
| 8 | - No. 2, A Good Saussage | 02:22 | |
| 9 | - This Sweet and Merry Month of May | 01:51 | |
| 10 | - No. 19, Shall I sue | 02:40 | |
| 11 | - No. 1, Gray’s Inn, The Second | 00:50 | |
| 12 | - No. 2, Cuperaree or Gray’s Inn, The First | 01:38 | |
| 13 | - No. 3, The Second Witches’ Dance (Attrib. Robert Johnson) | 00:53 | |
| 14 | - Dreames and Imaginations | 02:45 | |
| 15 | - Fair Phyllis I saw Sitting All Alone | 01:19 | |
| 16 | - Woodycock | 01:58 | |
| 17 | - Break Now My Heart and Dye | 01:27 | |
| 18 | - La bounette | 00:44 | |
| 19 | - La doune cella | 00:37 | |
| 20 | - La Shy Myze | 00:44 | |
| 21 | - No. 9, Lady, If You So Spite Mee | 02:10 | |
| 22 | - Clorinda False | 02:58 | |
| 23 | - My Bonny Lass Shee Smyleth | 01:47 | |
| 1 | Messiah - But Who May Abide the Day Of His Coming | 04:58 | |
| 2 | Messiah - How Beautiful Are the Feet | 03:26 | |
| 3 | Israel in Egypt - No. 5, Air. Their Land Brought Forth Frogs | 02:35 | |
| 4 | Israel in Egypt - No. 26, Air. Thou Shalt Bring Them | 04:41 | |
| 5 | - Ah dolce nome! | 08:29 | |
| 6 | Rodelinda - Vivi, tiranno, io t'ho scampato | 06:35 | |
| 7 | Rodelinda - Pompe vane di morte! - Dove sei, amato bene? | 08:16 | |
| 8 | - Ombra cara | 08:47 | |
| 1 | - Vive le Roy "Fanfare for Louis XII" | 01:32 | |
| 2 | - Heth sold ein meisken | 01:21 | |
| 3 | - Fama Malum | 02:47 | |
| 4 | - Dulces exuviae | 03:05 | |
| 5 | - La Bernadina | 00:53 | |
| 6 | - Si j’ai perdu mon ami | 00:46 | |
| 7 | - Tu solus qui facis mirabilia | 02:54 | |
| 8 | - I. Kyrie: a. Kyrie eleison I | 00:54 | |
| 9 | - I. Kyrie: b. Christe eleison | 01:13 | |
| 10 | - I. Kyrie: c. Kyrie eleison II | 00:49 | |
| 11 | - II. Gloria: a. Et in terra pax | 01:45 | |
| 12 | - II. Gloria: b. Qui tollis | 02:00 | |
| 13 | - III. Credo: a. Patrem omnipotentem | 02:19 | |
| 14 | - III. Credo: b. Et incarnatus est | 00:47 | |
| 15 | - III. Credo: c. Crucifixus | 01:18 | |
| 16 | - III. Credo: d. Et in Spiritum Sanctum | 01:40 | |
| 17 | - IV. Sanctus: a. Sanctus | 00:56 | |
| 18 | - IV. Sanctus: b. Pleni sunt coeli | 01:40 | |
| 19 | - IV. Sanctus: c. Osanna I | 01:09 | |
| 20 | - IV. Sanctus: d. Benedictus | 02:09 | |
| 21 | - IV. Sanctus: e. Osanna II | 01:15 | |
| 22 | - V. Agnus Dei: a. Angus Dei I | 01:38 | |
| 23 | - V. Agnus Dei: b. Agnus Dei II | 01:42 | |
| 24 | - V. Agnus Dei: c. Agnus Dei III | 03:14 | |
| 1 | - I. Gott will Mensch und sterblich werden | 05:08 | |
| 2 | - II. Nein, wenn ich gleich der Morgenröte Flügel nähme | 02:13 | |
| 3 | - III. Immanuel ist da! | 02:36 | |
| 4 | - I. Siete rose rugiadose | 05:48 | |
| 5 | - II. Dolce bocca soave | 01:15 | |
| 6 | - III. Per involarmi al duolo | 02:30 | |
| 7 | - I. Deine Toten werden leben | 03:46 | |
| 8 | - II. So scheut das Sterben weiter nicht | 02:49 | |
| 9 | - III. Ihr Sterblichen! Was scheut ihr Tod und Erde? | 06:21 | |
| 10 | - I. Sonata | 01:15 | |
| 11 | - II. Jubilate Domino omnis terra | 02:22 | |
| 12 | - III. Psallite Domino cithara | 01:34 | |
| 13 | - IV. In buccinis et voce tubae | 02:20 | |
| 1 | - No. 1, Sainte Nicolaes | 00:49 | |
| 2 | - No. 2, Sainte Marie Christes bur | 00:49 | |
| 3 | - No. 3, Sainte Marie Virgine | 00:46 | |
| 4 | - No. 4, Christ and Sainte Marie | 01:31 | |
| 5 | - Love is a Bable | 02:08 | |
| 6 | - Ite, caldi sospiri | 03:06 | |
| 7 | - As I Lay Lately in a Dream | 01:33 | |
| 8 | - Goe to Bed, Sweete Muze | 03:41 | |
| 9 | - Hark! Hark the Echoing Air | 02:21 | |
| 10 | - I Love and I Must, Z. 382 | 03:18 | |
| 11 | - Music For a While | 03:43 | |
| 12 | - No. 1, Sängers Trost | 01:51 | |
| 13 | - No. 2, Meine Rose | 03:29 | |
| 14 | - No. 3, Ihre Stimme | 02:15 | |
| 15 | - No. 2, Dein Angesicht | 02:09 | |
| 16 | - No. 1, Auch kleine Dinge können uns entzücken | 02:39 | |
| 17 | - No. 30, Ach, im Maien war's | 01:45 | |
| 18 | - No. 23, Auf ein altes Bild | 02:10 | |
| 19 | - No. 3, Verschwiegene Liebe | 02:15 | |
| 20 | - No. 3, Nun wandre, Maria | 02:51 | |
| 21 | - No. 6, Er ist's! | 01:07 | |
| 22 | - Love Is A Many Splendored Thing | 01:35 | From "Love Is A Many Splendored Thing" |
| 23 | - Little Girl Blue | 02:59 | From "Jumbo" |
| 24 | - More And More | 01:36 | From "Can't Help Singing" |
| 25 | - You Always Love The Same Girl | 01:46 | From "A Connecticut Yankee" |
| 1 | - Fanfare | 00:32 | |
| 2 | - No. 1, Hornpipe | 01:04 | |
| 3 | - No. 2, En famille | 03:07 | |
| 4 | - No. 3, Mariner Man | 00:32 | |
| 5 | - No. 4, Long steel grass | 02:06 | |
| 6 | - No. 5, Through gilded trellises | 02:20 | |
| 7 | - No. 6, Tango - Pasadoble | 01:52 | |
| 8 | - No. 7, Lullaby for Jumbo | 01:30 | |
| 9 | - No. 8, Black Mrs. Behemoth | 00:55 | |
| 10 | - No. 9, Tarantella | 01:13 | |
| 11 | - No. 10, A Man From A Far Countree | 01:39 | |
| 12 | - No. 11, By the Lake | 01:47 | |
| 13 | - No. 12, Country Dance | 02:00 | |
| 14 | - No. 13, Polka | 01:13 | |
| 15 | - No. 14, Four In The Morning | 02:16 | |
| 16 | - No. 15, Something Lies Beyond The Scene | 01:00 | |
| 17 | - No. 16, Valse | 03:17 | |
| 18 | - No. 17, Jodelling Song | 02:19 | |
| 19 | - No. 18, Scotch Rhapsody | 01:22 | |
| 20 | - No. 19, Popular Song | 02:00 | |
| 21 | - No. 20, Fox Trot "Old Sir Faulk" | 01:54 | |
| 22 | - No. 21, Sir Beelzebub | 00:58 |
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